第一赘婿第一季

父母失踪的秦立，在得到神秘老人的秘传功法后，开始了十年缄口修炼。与楚清音结婚后，二人尝尽人间冷暖，十年功成后，秦立开始逆袭之路！

燕赤霞猎妖传

将军之子夏凌风奉命解开民间“怪病”之迷，在调查中与燕赤霞不打不相识，二人决心联手破案却误闯黑山，偶遇了一群或善或恶的妖怪，从而走上除恶扬善、匡扶正义道路的故事。

超级战警

洛杉矶的“罪恶终结者”约翰（西尔维斯特•史泰龙 Sylvester Stallone 饰）因逮捕恶贯满盈的“铁凤凰”（韦斯利•斯奈普斯 Wesley Snipes 饰）时连带了30多人丧命，被判处了几十年的冰冻刑罚，而“铁凤凰”则被判无期冰冻。几十年过去了，约翰刑满获得解冻重回人间。此时人类的生活方式已和当年大不一样，为了令他尽快适应新社会，当局安排了一位女警的帮助了约翰。约翰的脑子里被植入了含有裁缝技能的记忆芯片，很明显当局想他当一名裁缝。 　　然而，“铁凤凰”阴差阳错地也从冰冻中苏醒并逃出了监狱。更为可怕的是，他的脑里植入了毁灭者的记忆芯片。未来，人类已经不再使用枪、火箭炮等野蛮的武器了。“铁凤凰”在武器博物馆里搞到了一切装备后，开始大肆破坏……

大明野史之锦衣狱

大明年间，锦衣卫指挥使李乘风受命稽查皇宫丢失的一批珍宝没想到却由此引发出一桩离奇的史书案。李乘风追查中偶遇囚禁于皇陵的奇女子顾梦白，李乘风在与顾梦白接触中为她的个人魅力所折服，顾梦白独特的见解为李乘风开启了一扇重新看待世事的门……李乘风以游牧云的身份答应顾梦白跟踪李乘风将所有锦衣卫的所为告知顾梦白，于是两人开始了密切交往。李乘风游走在善恶两界一发不可收拾，他在顾梦白赞许的目光中重新找到了存在的意义……

我在耀瓷小镇等你

来自陈炉小镇的康清与富家女耿菲相恋。耿菲不顾父母反对，奔赴陈炉和康清共同恢复柴窑工艺。然天有不测风云，康清遭遇车祸不幸离世。为了完成恋人的遗愿，在康清父亲的帮助下，耿菲终于成功烧制出柴窑佳品,完成了几代人的心愿。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

少年伊戈尔与鹤

一对分居已久的父亲和儿子被一只名叫卡尔的小鹤联系在了一起，他们追踪着卡尔所在的鹤群从俄罗斯一直到非洲。

偷妻之寂寞难奈

社长的妻子蜜子因为丈夫经常出外公干，需要经常单独在家。 社长秘长丸山对蜜子起了色心，想尽办法引诱蜜子。她经常 和花店职员吉本一起出入。蜜子的坏朋友蓉子带男朋友到 蜜子家中偷情，被吉本及蜜子两人撞破。蓉子及她的男朋友 离开时遗下色情录影常。蜜子感到苦闷所以播放色情录影带 欣赏。跟著无法忍耐於是自慰，这时窗外有个黑影......

9月28日 23-24赛季意甲第6轮 国际米兰VS萨索洛

清风朗月花正开

大萧公主陈朗月痴迷建筑工事而偷跑出宫，并加入了天才都料匠李清风与发小罗曳共同创立的木羽工匠队。八个性格迥异的大萧少年为了各自心中的理想而聚集在一起，共同改造着一个个奇异而有趣的建筑。八个伙伴时而吵架拌嘴鸡飞狗跳，时而彼此温暖互相扶持，他们经历曲折艰险，改造着建筑也改造着自己的内心，最终木羽院的每一个人都得到了属于自己的成长与归宿。

苹果2010

帕斯卡尔·布迪亚尔（Pascal Bourdiaux）首部喜剧长片，何塞·加西亚（José Garcia）主演，影片描写一个法国银行小职员在36小时内被训练成一名黑帮分子的喜剧故事。

吓到笑国语

本片由三个独立故事组成，是新加坡出品的恐怖喜剧电影。老千阿福、阿财与阿寿密谋了一个绝佳的发财计划，利用“发财热线”赚取佣金，如对方不从，他们就装神弄神吓唬他们，最终目的是将别人的钱转到自已口袋里。行动开始，日进斗金，但这时阿财的助手接到一个神秘电话，厄运接踵而至。阿雷与阿南参加后备役军训，基地设在黑漆漆的森林里，俩人在穿越丛林时，怪事发生了，一会儿撞上墓碑，一会儿踫见女鬼。自从杨家老母去世后，家中诡异事频发，起初以为老母灵魂作祟。不料，就在杨家三兄弟驱车赶往异国的路上，大难临头了......