苍穹的法芙娜

真壁一骑是个生长在对日本而言十分乡下的龙宫岛上的少年──对他来说，像这样的和平是普通到不能在普通的状况。但当由硅所构成的不明生物·异界体（Festum）开始攻击龙宫岛时，他才开始注意到他现在所拥有的和平生活不过只是个被创造出来的假象。为了取回自己的和平生活，他和同伴开始一起搭乘人类所创造出来的巨大兵器·法夫那（Fafner）和异界体战斗──在激战的彼端，等待着他的是……

新女性

韦明（阮玲玉饰）是一名音乐教师，平日里，她喜欢作曲和写小说。王博士是韦明的同事，尽管已经结婚，但他经常对漂亮的韦明动手动脚很不尊重，这让韦明感到恶心和唾弃。某日，韦明遇见了出版公司的余海涛，他的绅士和谈吐十分吸引韦明，然而，韦明只是将这份感情埋藏在心底。韦明的姐姐带着韦明的女儿前来投奔韦明，使得韦明本就不宽裕的生活更加的拮据，与此同时，无法得逞的王博士施诡计使得韦明被学校解雇，而女儿又恰巧在此时生病急需医治，一时间，韦明陷入了走投无路的境地。无奈之下，韦明只得出卖肉体，而她的客人竟然正是阴险卑鄙的王博士。

职场求爱记

蕾恩（希拉里·达芙HilaryDuff饰）是一名年轻而充满干劲的作家，近来她正在和闺蜜一起争取为《丽都杂志》写封面故事。然而事情并不顺利，无奈之余两人开始闲聊寻找如意郎君的话题，灵机一闪，蕾恩决定深入职场，写一个关于职场女性如何才能钓到“钻石王老五”的故事。为了寻找灵感，蕾恩应聘了一家大型投资公司的行政助理，为经理汤姆（麦克·麦克米兰MichaelMcMillian饰）做事。成功变装单身女白领的她，和闺蜜列好“钻石王老五”的条件清单，随即开始了她广泛撒网、重点培养的“狩猎”计划，同时与英国帅哥利亚姆（克里斯·卡马克ChrisCarmack饰）和同事赛斯（马特·达拉斯MattDallas饰）进行约会，然而这并非一件享受的事，为了尽快完稿，蕾恩如何能在两个月内找到全项符合条件的白马王子呢？本片改编自作家DaniellaBrodsky的小说《一个女白领的日记》。

暗金丑岛君2

在赤裸裸的物欲时代，人们为了名利吞噬缠斗，跌入深渊，而高利贷公司的社长丑岛馨（山田孝之饰）则站在铁围山的顶端，冷冷注视着这群愚蒙众生。牛郎神咲丽（洼田正孝饰）一心爬到俱乐部最顶端，他怂恿家境平庸的女孩彩香（門脇麦饰）为其砸下黄金万两；小混混阿胜（菅田将晖饰）偷盗机车惹上暴走族头头爱泽（中尾明庆饰），为还债委身丑岛的公司，却又联合爱泽上演蛇吞象的戏码；有黑道背景的犀元茜（高橋メアリージュン饰）操纵爱泽对抗丑岛，爱泽疲于奔命；在犀元下属公司贱卖苦力的蝦沼（柳乐优弥饰）盯上彩香，他以跟踪者的身份迫近这个疲惫的女孩。巨大的绞肉机开始运转，所有人都被卷入其中……本片根据真锅昌平的同名漫画中的“ヤンキーくん編”和“ホストくん編”改编。

惊魂夺宝

乔纳森·莱斯·梅耶斯、埃米尔·赫斯基、帕斯·贝加([对她说])、杰里米·皮文([明日边缘])将携手出演黑色惊悚片[美国之夜](AmericanNight，暂译)。影片将是AlessioJimDellaValle的导演处女作，Valle亲自撰写剧本。影片讲述迈克尔·鲁比诺(赫斯基饰)刚刚成为纽约黑手党的头目，但他最大的梦想是将自己的一生奉献给绘画，并成为伟大的艺术家。艺术品经销商约翰·卡普兰(梅耶斯饰)的生活似乎一片混乱，但他仍拥有最能发现世界各地假货的双眼。当安迪·沃霍尔的《粉红玛丽莲》被偷走时，陌生的两人有了交集，而这一切也将颠覆他们的生活。

嫁错老公上错床

暂无简介

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

斯诺克 斯坦·穆迪4-5艾利奥特·斯莱瑟 20230725

性展览

歌乐汀 bull;贝卡瑞（Claudine Beccarie），法国20世纪70年代当红大人影片明星。她14岁时险遭警察强暴，随后离家出走前往西班牙，在妓院卖身为生。在此之后，歌乐汀拍摄大量大人影片，1975年以她为中心拍摄的《性展览》更将其推向巅峰。1976年以降，歌乐汀逐渐淡出大人影片圈，开始转向B级剥削片的拍摄，曾在多部纳粹题材影片中出演角色。 本片将镜头聚焦这个传奇女性，引领观众走入她的内心世界，了解她的过去、爱情、家庭、思想以及整个法国大人影片工业的发展情况，其中更有大人片拍摄过程的真实记录

吹响悠风号剧场版：欢迎来到北宇治高中吹奏乐部

重制了2015年4月到6月播出的电视动画《吹响悠风号》而出的剧场版。

我的唐朝恋人

一次月圆之夜，电闪雷鸣间他穿越了千年与她相见。 不是冤家不聚头，她帮他找办法往回穿越，他给她工作上提供无限灵感。爱情就在两人嬉笑中发生。这场注定无果的爱情，又会发生如何动人的故事呢？

战斗陀螺Burst

雾中的银河 是1999年7月开始发售，导入最新技术的现代版贝独乐玩具，就是我们俗称的“战斗陀螺”。 初代“爆旋陀螺”在2001年、2002年在日本全国的小学生之间引发了热潮。2008年开始展开了第2世代“Metal Fight（钢铁战魂，直译：金属对决）”。从2015年开始第3世代“BURST（爆裂）”发售。 将日本传统玩具进行商业化......by:yakubd.cc