关关雎鸠

头脑简单却拥有百万家产的安托瓦爱上了年轻美貌的帕达丽夏，整日纠缠不休。为了摆脱这个令人讨厌的家伙，帕达丽夏雇佣了一个叫西蒙的男人假装自己的丈夫。此刻帕达丽夏的父母正在国外旅行，为了给帕达丽夏的父亲一个惊喜，母亲花重金买下了一块传说蕴藏丰富石油的土地作为生日礼物送给他，但很快大家发现卖土地的人是一个骗子。为了把这块土地转手卖出去，父亲想到了追求女儿的安托瓦。 　　但此时帕达丽夏已经有了“丈夫”，考虑到快要为了这块土地而发疯的父亲，帕达丽夏只得同意把安托瓦约到家中度周末，并慌称西蒙是自己刚从国外回来的哥哥。 　　西蒙和岳父向安托瓦大力推荐着那块可以令他发财的土地，正巧帕达丽夏外出旅行的弟弟保尔带着女友帕尔玛回到家中。于是一家人开始一起演出这场闹剧。帕达丽夏用自己的魅力吸引着安托瓦的注意，父亲则使出浑身解数想要安托瓦签支票买下土地。 　　西蒙看出帕尔玛有问题，用计套出了帕尔玛的真实身份。她原本只是一个夜总会的女招待，看到保尔出手大方，便骗保尔说自己是将军的女儿。事实上她只是想得到保尔的财产。此次在保尔家，帕尔玛发现安托瓦比保尔更有钱，于是改投安托瓦怀抱。西蒙和帕尔玛达成协议，只要帕尔玛引诱安托瓦签支票，西蒙就不会在众人面前透露她的底细。 　　安托瓦最终同意买下这块土地，他已经被帕尔玛迷得天旋地转。安托瓦带着帕尔玛回到自己家，帕达丽夏终于摆脱了他。此刻帕达丽夏和西蒙之间产生了非常微妙的感情，西蒙终于成为了帕达丽夏真正的丈夫。

金爆行动

深夜，一批戒备森严的神秘货物被盗窃劫持……以奥森为首的特工团队被政府安全部门勒令秘密调查此次事件。经调查，神秘货物名叫“密匣”,是一款可编程人工智能程序，拥有它的人可随心所欲地控制军事、金融等世界上任何的电子系统。“密匣”已在黑市上进行高价炒卖，亿万身家的军火商格雷格则是这宗地下买卖的交易中介。奥森决定前往交易现场假扮接头人，但意想不到的是另有一支队伍横空出现抢走了“密匣”，奥森和他的队伍能否再次杀出重围并完成拯救世界的任务？

归乡

讲述了一个想要离开故乡开始新生活而苦苦挣扎的男人在故乡与老朋友重逢，结果卷入始料未及的事件的喜剧片。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

低压槽：欲望之城

2月17日 22-23赛季欧协附加赛首回合 AEK拉纳卡VS第聂伯罗

忠犬归来

“对于我们来说它只是一条狗，而对于它来说我们却是它的全部”。张浩养着父亲去世后留下的金毛狗“关关”，女友因为对狗毛过敏加上张浩过分宠爱狗选择与他分手，搬到母亲家中后张浩发现母亲所在的小区内发生了狗咬人的事件，电梯里也贴着各式各样的寻狗启示，张浩还意外发现小区内竟然有人给狗投毒，他的神经开始紧绷了起来，而狗狗“关关”又因为在家里捣乱被母亲各种嫌弃。一天，张浩起床后发现狗狗不见了，便急忙开始四处寻找，直到他被告知“关关”被卖到了城南的一家狗肉饭店，张浩迅速前往······

母亲的双眼

女孩（基卡·马加良斯 Kika Magalhaes 饰）跟随着父母生活在地处偏远的农庄之中。女孩的母亲是一名外科大夫，在母亲的熏陶下，女孩对解剖充满了好奇。某日，父亲外出，一名陌生男子（威尔·伯瑞 Will Brill 饰）闯入了女孩家中，杀死了女孩的母亲。之后，女孩的父亲囚禁了男子。　　妻子的死令父亲陷入了绝望之中，精神崩溃，女孩担负起了照顾父亲的职责，与此同时，女孩将被囚禁在仓库中的男子当做是自己唯一的朋友，她割掉了他的舌头，挖掉了他的眼睛令他丧失了逃跑的可能，日复一日的照料着他。女孩渐渐长大，倍感孤独的她渴望得到友情的温暖，但扭曲嗜血的性格却又让她陷入了杀戮的轮回之中

秀才爱上兵粤语

明朝洪武年间，良材县农官陈忠之女陈细妹（郑希怡 饰）继承了亡父的遗志，从小便有锄强扶弱之心，义字当头，成为良材县人见人爱的女护农。大利米店老板谢苍天（夏雨 饰）为感激圣上御赐九龙白玉碗，而将其子取名为谢皇上（马浚伟 饰）。谢皇上文采风流，自恃聪明绝顶，势要成为良材县为民请命的好官。谢苍天虽唯利是图，但为圆其子心愿，不惜重金捐官，让谢皇上当上了农官，还聘请了发誓不说话的师爷戴从文（黎耀祥 饰）和几名恶衙差给他。戴从文才高八斗，料事如神。在他的帮助下，谢皇上屡破奇案，两人惺惺相惜，合作默契，关系更为密切。此后，谢皇上接受戴从文的建议消解了与陈细妹的误会，并聘请她作为女护农。

新手

艾历克斯·道尔是一个追求极致的大一新生，会为了考出更高分反复参加考试。在加入了学校的赛艇部之后，她不惜任何代价都要打败队友、进入专业队代表学校参加比赛的念头越发强烈，但与此同时，包括教练、女友在内的人担心着她的身体和精神状况。求胜心切的艾历克斯能成功得到自己想要的一切吗？

爱火游戏

阿萍（萨米·考威尔 Puntitha Cowell 饰）和阿侬（塔万·素里亚杰 Tanwa Suriyajak 饰）是一对相恋已久的情侣，两人前往西班牙结婚，回家之后他们发现皮拉齐（皮拉甘·陂帕拉赛 Peerakorn Phoprasert 饰）和帕斯卡（斯蒂芬妮·奥尼格 Cat Stephany Auernig 饰）竟然走到了一起。此时，阿侬才不得不将隐藏了多年的秘密公之于众，原来，皮拉齐和帕斯卡是有血缘关系的兄妹，而阿萍和阿侬的家人们之间也有着非常复杂的关系。 　　阿萍对于阿侬的隐瞒感到十分失望，她觉得对方背叛了自己，于是选择了离开。可是，即便已经不再是恋人了，阿侬还是深爱着阿萍，就算阿萍对自己拒之千里，但还是不离不弃的处处关心。

钟馗嫁妹

钟馗之妹钟情于男妓民，加上馗妹再不嫁就永世不能投胎，钟馗与妹遂共盗生死册，以寻法延续民仅有三日的性命，因而与判官大打出手，最后与三小鬼逃上阳间钟馗发现民乃是男妓，故对其妹决定不甚赞同，而馗妹与民更有了肉体关系。民不堪钟馗等人多番纠缠，暗中找道士九欲收伏钟馗等人，一场大战就此展开……