长沙保卫战

《长沙保卫战》是反映湖南抗战史实的系列连续剧的第一部，将全景式再现在三次长沙保卫战中国共两党联合抗日、共赴国难的悲壮历史场景。

2023年09月17日 西甲联赛 塞尔塔vs马略卡

毛骗第二季

毛骗，意思是指街头的小毛骗子，他们有组织有纪律，混迹在城市的边缘。                                                                    他们是骗子，是侠盗，是不法份子，或者他们没有高尚品德，但是有职业操守，他们的目的不仅仅是为了钱。                                                                    他们是高智商的艺术家，精密算计着每一步的计划，锁定目标，

极速世界之战车

　　女主角诗忆是方程式赛车SSR车队的一名新星车手。她青春靓丽、充满活力，拥有众多的追求者。SSR车队的王牌车手阿楠和机械师阿海，都是众多追求者中的一员。他们每天在一起赛车、唱摇滚、过着幸福自在的日子，而快乐的时光总是短暂的，诗忆从小相依为命的哥哥阿杰，是一名顶尖车手，因卷入一场国际犯罪组织的偷运走私事件，被犯罪团伙的头目“刀疤”枪杀灭口。听到此噩耗的诗忆如晴天霹雳，一夜之间长大，也因此踏上了为兄报仇的征途....

杨光的快乐生活3

　　居委会举办的待业青年培训班，总算让走投无路的杨光（杨议 饰）抓到一株救命稻草。经过一段时间的培训，杨光终于成为了一名小区保安。只是这份工作也不那么容易，上有以前结过梁子的领导刁难，下应付业主们各种各样的要求和状况，还得面对采花贼、偷车贼甚至鬼的事件，可真够杨光受的。至于活宝条子（韩兆 饰），也实在好不到哪去。或者给杨光找来一个儿子，或者小人乍富干起网吧，总之就是两个字——折腾。在工作和生活上已然焦头烂额的杨光，爱情方面又遭受巨大的挫折。夏丽（李立君 饰）突然和自己分手，毅然决然投向有钱老板的怀抱，这另一向快乐开朗的杨光痛苦万分……                                                                    　　本片为杨议父子领衔主演的情景喜剧第三部。

约翰·列侬的理想世界

　　本部描写摇滚史上最伟大音乐家之一约翰·温斯顿·列侬的纪录片《约翰列侬的理想世界》，以超过240小时的电影及录影片段，及穿插其中的36首经典名曲，讲述着这位摇滚乐坛有史以来最富传奇色彩的灵魂人物。                                                                    　　影片收录了多段未被公开的私人视频片段，扑捉记录下列侬这位在音乐世界中狂放不羁才华横溢的天才，在生活中的多重侧面。这些精彩珍贵的视频镜头在36首传唱度极高的经典歌曲中，道出了列侬这位乐坛巨匠背后鲜为人知的故事。

诡眼

受了三年牢狱之苦的徐达文，出狱后找到了自己飞黄腾达的孪生兄弟徐达武，久别重逢的两兄弟相见后却因金钱纠纷反目成仇，就从这一天开始，两人的命运也彻底发生了转变，先是不约而同的遭遇了各种离奇的恐怖事件，随后又常常的感觉到身边好像始终有一双诡异的眼睛窥视着自己 而这发生的一切似乎都指向了三年前的那一次“意外”，女大学生丽丽因突发状况失足滑倒，不幸身亡，徐达文因过失致人死亡罪，被轻判入狱三年。冤有头，债有主，这接二连三发生的怪事和那阴魂不散的双眼，究竟是死去的丽丽回来找他们索命，还是另有其人从中搞鬼，这场看似简单的“意外”则成为他们深陷死亡泥沼的肇因，而两人刻意隐藏了三年的“秘密”也渐渐的浮出了水面…

柏林艳史

刻板的国会女议员非比·弗斯特（琪恩·阿瑟饰演）发现一位美国军官和一个柏林美女关系甚密（玛琳·黛德丽饰演），局势便骤然紧张起来。

绿灯侠：畏吾神光

During today’s DC Fandome event a number of animated films were announced for the summer of 2022. Among them is Green Lantern Beware My Power. No details were disclosed about the plot, characters, or casting.

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

女神异闻录3 剧场版 第一章 春生

2006年7月にPlayStation2用ゲームソフトとして発売され人気を博した「ペルソナ3」の劇場版アニメーション。1日と1日の狭間に存在する「影時間」に出現する異形の怪物「シャドウ」。彼らに対抗できるのは、「ペルソナ」と呼ばれる特殊能力を持つ者たちだけだった。私立月光館学園に転校してきた結城理はペルソナの力に目覚め、同じペルソナ使いたちで構成される特別課外活動部に引き入れられる。しかし、部員たちはそれぞれの理由で影時間の真相を追う中、想像を絶する運命と対峙することになる。

披沥迷

影片讲述孤儿石雨墨在山上学习武术，下山后在村落左邻右里的帮助下，不仅找到了工作，还当上了老板，在整个过程有尴尬的可笑，也有温暖的感动；最后石雨墨与小伙伴同恶势力斗争，并赢得了胜利，将恶势力绳之以法。